29.11.2013 - 19.01.2014

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Program: [Context of the visual]

Place: National Centre for Contemporary Arts, exhibition hall

Laura Kaminskaitė. No title (four walls and exhibition). 2011

Organizers: National Centre for Contemporary Arts (NCCA), Contemporary Art Centre (Vilnus)
With the support of: The Ministry of Culture of the Republic of Lithuania
Curator: Julia Fomina
Project director: Vitaly Patsukov
Artists: Liudvikas Buklys, Coro Collective, Antanas Gerlikas, Gintaras Didžiapetris, Mark Geffriaud, Laura Kaminskaitė, Juozas Laivys, Elena Narbutaitė, Nicholas Matranga, Deimantas Narkevičius, Mindaugas Navakas, Marija Olšauskaitė

Opening on Thursday, November 28, 7 p.m.
Press show on Thursday, November 28, 6 p.m.

Guided tours of the exhibition - every Thursday, 7 p.m. Free admission


Vilnius Pavilion is a temporary pavilion of Lithuanian contemporary art that presents works by artists who live (or have at some point lived or stayed) in the capital city of Lithuania. In all of the works – videos, objects, sculptures – Vilnius acts as an invisible creative partner, a reservoir for ideas and artistic practices. These practices go far beyond the city's limits, yet at the same time remain local, based on each individual artist's personal experience and sphere of interests. The Vilnius Pavilion offers a look at one particular country's contemporary art through the prism of a single city.

Why Vilnius, then? The city has long secured its position as a key player on the map of contemporary art: one can often see Lithuanian artists participating in prestigious international exhibitions, while many foreign curators, theorists and researchers note that the level of local art makes them feel at home in Vilnius. The exhibition inquires into what conditions a particular city creates for various artistic practices and how they influence art production and reception. Not incidentally, most of the featured works are by artists who studied sculpture – indeed, who could be more fitting to build the Vilnius Pavilion?

The nature of a pavilion is dual: it is both a space that produces publicity and a place where one can find privacy or simply shelter from the rain. This duality suggests literary parallels as well. In his novel The Museum of Innocence, the Turkish writer and recipient of the Nobel Prize in literature, Orhan Pamuk, recounts the history of Istanbul through the love story of the protagonist, who secretly collects the personal belongings of his loved one. Pamuk himself was collecting these objects while working on the book, and opened a museum in Istanbul after the book was published. One can enjoy the museum's exposition without having read the novel. Likewise, The Vilnius Pavilion invites visitors to feel the pulse of today's Vilnius through the presented collection of works. And maybe even compare it with the image of the city that another Nobel laureate, Joseph Brodsky, created. The Neringa cafe, to which the poet wrote an ode, still retains its cosmopolitan spirit.

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